Wednesday, January 30, 2008

The Ellenshaw Museum: Treasure Island (1950)

Today we’re taken another glimpse at some of the works in the Ellenshaw Museum located near Sand Dollar Ella’s castle.

In film, an establishing shot tells the “where and when” the remainder of the scene takes place. But if your scene takes place in a long gone time in a village that never existed, you’ve got a task ahead of you. You could spend a fortune building the village and settling for whatever you can get in a brief time. Disney’s workaround was hiring Peter Ellenshaw to create the location on glass, leaving certain areas unpainted so live action materials can be seamlessly combined.

In the image above, the lower left corner is obviously live action footage combined with the painted village and lush greenery dominating the rest of the frame.

Treasure Island was Peter’s first picture with Walt Disney. It began a professional relationship that would carry through generations. Peter’s son Harrison continued the matte painting for several years.

You can see more mattes from the Ellenshaw Museum by searching for “Ellenshaw” in the right menu search engine.

Posted by Doc Terminus at 13:19:28 | Permalink | Comments (3)

Tuesday, January 29, 2008

Quoddesigners: Revisiting an old classic

A little more than 25 years ago, the Passamaquoddy Designers (Quoddesigners) came out with a new attraction.  It opened along with and was located near the “Come Unicorn” attraction.  Of course, I’m talking about the “Kickin’ Krabaret”.  This was a whimsical look at our second favorite crustaceon.  (We honored our favorite with the “Rockin’ Lobster Coaster”)

The Kickin Krabaret was a fifteen minute stage production that was performed in side a small theatre that could hold three (or one comfortably).  The lights would dim and the audience would get introduced to “Sandy Crabs”, a homemaker who cooks up a heck of a crab feast.  But before eating the crabs up she makes them sing a song or two.  Sort of a reverse “sing for your supper”.

Songs included:

  • the “Boogie Woogie Beluga Boy” sung by the Andrew Sisters-like trio “Canned Tuna Sisters”…
  • A vaudeville act performed by Clam and Eggs (who insisted on being called “Caviar”)
  • “Wedgie Wedgie” “Brute Brute” is a song performed by feuding gangs a la West Side Story, the Sharks and the Nets…

Then Sandy Crabs finishes off with the entire cast returning to sing the finale.

The attraction closed a few years later to be replaced by “Coral Rocks” - which in itself fell into the sea when a helicopter knocked into it while filming “Soarin’ over Passamaquoddy”.

But while it lasted, kids loved the attraction, especially the many animatronic crabs performing period music,  And the songs were catchy too, many of them still are heard on KWDY.

I loved the Kickin’ Krabaret even if the animatronics were not the best and if the show malfunctioned anytime a toilet was flushed within 3 miles. I hope you have good memories as well..

It sure was kickin’

Posted by Doc Terminus at 05:57:03 | Permalink | Comments (4)

Monday, January 28, 2008

Broken News: Nemo Shake Up

Bad news for our little fishing village. As you all know, our local community theatre has put together a rousing musical production of HOOKING NEMO. It’s a story of a slippery clown fish who spends the story outwitting the poor fisherman up above. There is an eventual happy ending as a local fisherman who needs just one more fish to make his quota, catches the little bugger in his net.

As you remember, the story is also presented in a wonderful musical with such songs as “Big Blue Bobber” and “get with the net”.

But now it seems we’ve had a couple strangers in town who have issues with the ending. I tried to point out that we consider the lucky fisherman the hero. They are flying me down to Orlando Florida to see a similar musical called FINDING NEMO. In the meantime, Hooking Nemo is being closed while we look at this other musical.

We will keep you informed.

Posted by Doc Terminus at 07:20:20 | Permalink | Comments (7)

Wednesday, January 23, 2008

Movie Night: Oscar Time

It’s that time of year I guess. Any of you that were over by East Wharf probably saw that Oscar was outside today, standing in front of “Bargain Buoys” and screaming to anyone within earshot what he thinks the best movies are of the year. As usual, he came up with a bunch of movies I never heard of… But the one called “The diving bell and the butterfly” sounded interesting… except for the part about the butterfly.

One thing I noticed that was different was that Oscar was holding up a cardboard sign this year. I asked him why he wasn’t holding a fancy sign like he held in previous years. He told me the person that did all the writing in years past was on strike…

Then George Taylor walked up and handed him Jeff Pepper’s business card…

Anyway, Oscar nominated 3 Disney movies for 10 Awards!
Ratatouille
5 Oscar Nominations
  • Best Animated Feature Film of the Year
  • Achievement in Music Written for Motion Pictures (Original Score)
  • Achievement in Sound Editing
  • Achievement in Sound Mixing
  • Original Screenplay
 
Enchanted
3 Oscar Nominations
  • Achievement in Music Written for Motion Pictures (Original Song):“So Close”
  • Achievement in Music Written for Motion Pictures (Original Song)“That’s How You Know”
  • Achievement in Music Written for Motion Pictures (Original Song)“Happy Working Song”
 

Pirates of the Caribbean:
At World’s End

2 Oscar Nominations
  • Achievement in Makeup
  • Achievement in Visual Effects
Posted by Doc Terminus at 08:01:25 | Permalink | Comments (3)

Tuesday, January 22, 2008

Broken News: Has Copperfield Disappeared Again?

I’ve had just about enough of this. In 1997, illusionist David Copperfield promised the town of Passamaquoddy he would open the most exciting restaurant in the tri-county area. By 1998, work had hardly been done other than putting up the billboard. I remember running into Copperfield in 2004 and asked him what was up… He said “Oh, I’ll have to tell you later, I gotta catch my bus.” It wasn’t til later that I realized Passamaquoddy doesn’t have a bus anywhere near where he was.

Now, ten years later the signs still up, and COPPERFIELD’S MAGIC UNDERGROUND still hasn’t broken ground. I know we all bought into the magical elevator that was to bring people into the restaurant, appearing out of nowhere… And I know we bought into the illusions with the server, but I think we have to have a reality check here. I mean we are not a stupid hick town here in Passamaquoddy so I think it is important that we face facts: 10 years on and absolutely no construction, COPPERFIELDS MAGIC UNDERGROUND restaurant is not going to be open until August at the earliest.

Posted by Doc Terminus at 05:01:33 | Permalink | Comments (1) »

Monday, January 21, 2008

Bookworm: Scraping away the pixie dust

Recently, I had read and reviewed Charlie Ridgway’s book “Spinning Disney’s World”. That book examined many Disney experiences and explored how the situation was resolved through Public Relations. That book seemed to hop around, sometimes decades as Ridgway ‘remembered’ items of interest.

I have just finished reading David Koenig’s ambitious book REALITYLAND. It too explores experiences and stories, but this time it’s well organized, and thoroughly chronological. And most importantly for the “spin” on this book… devoid of Disney’s Public Relations spin.

I enjoyed the book in very much the same way as Koenig’s earlier offerings MouseTales and More MouseTales. All are unauthorized and live up to it. The read is fun, especially if you are into the sort of back alley stories that Koenig slyly relates.

There is plenty of behind the scenes gossip and dirty dealings. After reading some chapters, I actually felt dirty. The worst is reserved for former CEO Michael Eisner and here is where I felt Koenig gave in to a lot of the anti-hype. At no other time in the book did the information delivery become emotional. Statements along the lines of “Eisner arrogantly dismissed” or that Eisner was an “egotistical bully” that are not quoted to someone else seem out of place in a book so thorough in researched material. Especially after giving a pass to previous administrations whose issues were even more flagrant.

Koenig knows his stuff and knows how to deliver it. Capitalizing on a pre-ordained villain helps bring just enough of a soap opera to keep cynics grumbling for another decade. He’s also a bright enough individual to end the book on an equalizing tone, validating both the cynical and optimistic point of view of the Disney Corporation.

As readers and Disney fans, you will know if this book is for you only if you can stomach a telling with a negative lean… scraping away that pixie dust.

 

Many other book reviews are available by searching for “Bookworm” in the search engine in the right menu box.

Posted by Doc Terminus at 16:35:50 | Permalink | No Comments »

Friday, January 18, 2008

You Gotta Love it! Toy Story 2 (1999)

Disney and Pixar have had a terrific track record.  And by the time they released Toy Story 2 - one of the very few sequels to be as good as the previous offering - they had a knack for terrific, beautiful storytelling.

This time around, the toys were involved in a huge chase that took them all the way to the airport - where the story is wrapped up. But now they have to get the toys back to Andy’s bedroom without wasting any time explaning how.  So, they threw this out the window…
Posted by Doc Terminus at 05:21:54 | Permalink | No Comments »

Wednesday, January 16, 2008

Broken News: The Passamaquoddy BassPass

Unless you’ve been living under a rock of late, you’re familiar with the new BassPass system used throughout Passamaquoddy. But since the Peterson’s have literally been living under a rock for the past several months, I’ll go into a bit more detail.

The Basspass is a reservation of sorts. When you collect a BassPass, you can push and shove to the front of the line.

Albert and Victoria have suggested an additional perk that BassPass holders are allowed to take non-BassPass holders and throw them to the ground as long as they are under the age of ten. We’ll keep you informed if that passes into law.

Here’s a shot of a basspass user. Notice the new red jumpsuit on the ticket taker…

Posted by Doc Terminus at 04:29:38 | Permalink | Comments (1) »

Tuesday, January 15, 2008

On the Boards: A Tale as Old as Time

Last night was pretty exciting for the cultured folk of Passamaquoddy.  Rather than wasting their culture on Fishing with Roland Martin, they decided en masse to enjoy a production at the Passamaquoddy Players.  Last night’s production was a staging of Disney’s Beauty and the Beast.  Of course, a couple changes were made as they brought the show to town:  Changing the lyrics to “Be Our Guest” to match popular seafood plates was inspiring while changing the Beast into a large mutant lobster brought more challenges then smiles.  That one heavy claw obviously impeded the performer who performed most of the show lying prone on the stage or knocking other performers into the orchestra pit.  Passamaquoddy changes aside, let us have a look at the show.

Beauty and the Beast is the story of Belle, a smart woman in a small provincial town with dreams of adventure.   When her kooky father takes shelter in an enchanted castle and taken prisoner, Belle gets the adventure she has longed for. In a rescue attempt, she finds herself in the domain of a hideous beast with the heart of a Great White during a seal migration.  With the help of some enchanted household objects, Belle and the Beast become friends against their will.  In the end, that friendship is tested, and if it is truly love, the spell will be broken…  the enchanted objects gain back their former human (or doggie) form, the Beast becomes a surfer dude and Belle gets to marry and live in a big castle with lotsa stories and books.

The Disney film is the umpteenth version of the story and is arguably the best, garnering the first and only Academy Award nomination for Best Picture.  It had beautiful animation, an ingenious musical score and a taut story that delivered information at just the right speed. 

Beauty and the Beast was also the first story that the Disney Company transferred from the animated film into a live production on Broadway.  It was soon followed by The Lion King, Aida, Tarzan, Mary Poppins and now The Little Mermaid, many of these have already been reviewed her in Passamaquoddy. As many of those productions had shown, it is difficult to bring an animated feature to life in a static setting but with gusto, the creative team behind Beauty and the Beast was up to the job.

The first thing of note was that the theatrical B&TB was expanded to fill the two hour and twenty five minutes to justify the large ticket price of a New York theatre audience.  Songs were added, concepts were explored deeper, and the storyline shifted. New lyrics were provided by Tim Rice whose most popular work had been with Andrew Lloyd Webber previously.  His stuff was woven in with the late Howard Ashman’s words and placed with Alan Menken’s luscious musical score.  Songs like Gaston’s “Me” and “Maison Des Lunes” are now seamlessly part of the work.  While “No Matter What” and “Human Again” – which was resurrected from the film’s discarded material - prove to be mild additions.  Strongest of all are Belle’s “Home” and the Beast’s Act One finale “If I can’t love her”.  Here Beast is given a beautiful melody and lyric that brings the audience closer to the creature then ever possible before.  (Later in the run, Belle received another song called “A change in me”)

The production itself had two distinct lives.  Upon opening, the show was vast and expansive filling the stage with artistry, stage properties and pyrotechnics to enchant the eye.  When the show moved into a different theatre, the show re-opened a slimmer production, with a more efficient production.  This newer production has paved the way for the show to be performable throughout the country in community theatre venues.

The stage show differed from the cartoon in tune as the Beast is more accessible, being closer to human form and in turn, more frightening to children, especially with stage lighting keeping him playing amongst the shadows for so long.  But eventually, the kids are given a reprieve especially when magic begins to play a big part of the show:  When Chip appears as a saucer on a rolling cart, with no “visible” place for the actor’s body, adult s and children are mesmerized. And the Beasts transformation is phenomenal as the body lifts and practically explodes in the air.

The show closed on Broadway after thirteen years to make way for The Little Mermaid.  Audiences were thinning and Disney felt it best not to have Ariel and Belle, two of their most popular princesses fighting for the same audience. Of course, some people would pay top dollar to witness that bout, but I digress. As I alluded earlier, the show is now available throughout the country and plays often in smaller community based theatres.

Later I will be reviewing the “in park” version of this show which, along with all other show reviews can be found by searching for “theater” in the right menu search engine.

If the opportunity presents itself, check out Beauty and the Beast.. a Tale as old as time.

Posted by Doc Terminus at 12:32:48 | Permalink | Comments (5)

Monday, January 14, 2008

Broken News: Monorail rolls into town

After years of arguing amongst the city council of Passamaquoddy, we finally have a fully operational monorail for transport around town.

You probably remember the argument over pursuing the “Monorail”, or the more commonly considered “Octorail”. While the monorail supporters pushed for one track to support the train, the octorail supporters felt eight tracks per train would be more efficient, using an eight legged rock crab to prove their point. Of course, we all remember the octorail winning out but proved useless after installation as the crablike octorail could only travel sideways.

The 8 tracks traversed the town for awhile, but were mostly an eyesore. It was never really used. “They went the way of the rocket rods!” visitor Paul Barrie observed. None of us have any idea what he is talking about, but he had a cool hat on so we’re gonna quote him.

Now, the monorail has arrived and helps Passamaquoddy head into the future.

Of course, the new mode of transport hasn’t been so easily adopted. During soft openings, many of the train cars were filled with anchors and oars from “Byron’s Phat Boatworks”. Riders were having issues, not just getting on the train, but navigating to their seats.

Now, in time for its opening, this problem has been resolved… Each train now has a pen designed for holding the equipment. These pens can be latched closed which keeps the walking area clean. As an extensive safety precaution, they have even recorded a bilingual safety spiel that is heard upon entering the train car:

“Please stand clear of the oars,
por favor manténganse alejado de los remos”

This report contains work and photographs provided by Fred Appleton. Fred is a reporter, recently arrived in Passamaquoddy from the showy tundra of Iowa where he worked with the “All About the Corn” agricultural podcast. You can visit the corn by clicking here.
Posted by Doc Terminus at 12:25:32 | Permalink | Comments (3)