Last night was pretty exciting for the cultured folk of Passamaquoddy. Rather than wasting their culture on Fishing with Roland Martin, they decided en masse to enjoy a production at the Passamaquoddy Players. Last night’s production was a staging of Disney’s Beauty and the Beast. Of course, a couple changes were made as they brought the show to town: Changing the lyrics to “Be Our Guest” to match popular seafood plates was inspiring while changing the Beast into a large mutant lobster brought more challenges then smiles. That one heavy claw obviously impeded the performer who performed most of the show lying prone on the stage or knocking other performers into the orchestra pit. Passamaquoddy changes aside, let us have a look at the show.
Beauty and the Beast is the story of Belle, a smart woman in a small provincial town with dreams of adventure. When her kooky father takes shelter in an enchanted castle and taken prisoner, Belle gets the adventure she has longed for. In a rescue attempt, she finds herself in the domain of a hideous beast with the heart of a Great White during a seal migration. With the help of some enchanted household objects, Belle and the Beast become friends against their will. In the end, that friendship is tested, and if it is truly love, the spell will be broken… the enchanted objects gain back their former human (or doggie) form, the Beast becomes a surfer dude and Belle gets to marry and live in a big castle with lotsa stories and books.
The Disney film is the umpteenth version of the story and is arguably the best, garnering the first and only Academy Award nomination for Best Picture. It had beautiful animation, an ingenious musical score and a taut story that delivered information at just the right speed.
Beauty and the Beast was also the first story that the Disney Company transferred from the animated film into a live production on Broadway. It was soon followed by The Lion King, Aida, Tarzan, Mary Poppins and now The Little Mermaid, many of these have already been reviewed her in Passamaquoddy. As many of those productions had shown, it is difficult to bring an animated feature to life in a static setting but with gusto, the creative team behind Beauty and the Beast was up to the job.
The first thing of note was that the theatrical B&TB was expanded to fill the two hour and twenty five minutes to justify the large ticket price of a New York theatre audience. Songs were added, concepts were explored deeper, and the storyline shifted. New lyrics were provided by Tim Rice whose most popular work had been with Andrew Lloyd Webber previously. His stuff was woven in with the late Howard Ashman’s words and placed with Alan Menken’s luscious musical score. Songs like Gaston’s “Me” and “Maison Des Lunes” are now seamlessly part of the work. While “No Matter What” and “Human Again” – which was resurrected from the film’s discarded material - prove to be mild additions. Strongest of all are Belle’s “Home” and the Beast’s Act One finale “If I can’t love her”. Here Beast is given a beautiful melody and lyric that brings the audience closer to the creature then ever possible before. (Later in the run, Belle received another song called “A change in me”)
The production itself had two distinct lives. Upon opening, the show was vast and expansive filling the stage with artistry, stage properties and pyrotechnics to enchant the eye. When the show moved into a different theatre, the show re-opened a slimmer production, with a more efficient production. This newer production has paved the way for the show to be performable throughout the country in community theatre venues.
The stage show differed from the cartoon in tune as the Beast is more accessible, being closer to human form and in turn, more frightening to children, especially with stage lighting keeping him playing amongst the shadows for so long. But eventually, the kids are given a reprieve especially when magic begins to play a big part of the show: When Chip appears as a saucer on a rolling cart, with no “visible” place for the actor’s body, adult s and children are mesmerized. And the Beasts transformation is phenomenal as the body lifts and practically explodes in the air.
The show closed on Broadway after thirteen years to make way for The Little Mermaid. Audiences were thinning and Disney felt it best not to have Ariel and Belle, two of their most popular princesses fighting for the same audience. Of course, some people would pay top dollar to witness that bout, but I digress. As I alluded earlier, the show is now available throughout the country and plays often in smaller community based theatres.
Later I will be reviewing the “in park” version of this show which, along with all other show reviews can be found by searching for “theater” in the right menu search engine.
If the opportunity presents itself, check out Beauty and the Beast.. a Tale as old as time.